Michael Afolayan is a visual artist, musician, rapper, and theater and circus performer. He also works as an instructor at the Circus Days acrobatics school, teaching basic acrobatic techniques. Additionally, he is the founder of the Cultural Center of African Arts and Cultures ANASA, where he teaches polyrhythmic music of West Africa and promotes the arts as a means of communication and empowerment. Michael is an activist for human rights, particularly concerning second-generation immigrants. His work promoting intercultural dialogue and youth empowerment is truly inspiring.

Ursula Hicks began her dance training over 20 years ago in Ballet, Tap, Jazz, and later Modern and Contemporary dance. Ursula graduated with B.A. in Dance Studies from Texas Woman’s University in the summer 2013, where she studied with Marry Williford-Shade, Sarah Gamblin, Jordan Fuchs, and Gladys Keeton.
Ursula brings such musicality and enthusiasm to the dance floor, it’s no wonder that she has placed in multiple lindy hop competitions including the International Lindy Hop Championships in Washington, D.C., LindyFest in Houston, TX. , and a number of other competitions. Ursula has also been on the board of directors for The Fort Worth Swing Dance Syndicate, and served as president of The Dallas Swing Dance Society.
Ursula takes pleasure in collaborating with fellow artists and social dancing in the DFW area and enjoys teaching dance to students of all ages. She is an absolute joy to watch and learn from.

As a dancer, Tyedric explores, presents, choreographes, teaches, competes in, and embodies Black cultural and social dance traditions, with a specific focus on how they have evolved from and influenced each other. These traditions include authentic/vernacular jazz, charleston, tap, lindy hop, stepping, house, dancehall, breaking, popping, litefeet, hip hop and modern forms of Black social and vernacular dance that have yet to be codified.

He is currently studying house, and continually growing in many street styles. In dance, he values lineage, authenticity, community, partnership and fun. He strives to incorporate these elements in my classes as well.

His work consistently draws back to authentic jazz, as the foundation and axis on which all modern forms of Black social dance have been built. He wants to undermine the assumption that eurocentric forms of dance such as ballet and contemporary are the essential foundations of dance.

Natasha Martin uses dance to approach music as groove, rhythms and pulse. She performs and teaches body music and tap dance and has done many collaborations with groups of musicians, theater plays and many other forms of art performances.

Bianca and Nils started dancing when they were kids. They have performed and competed with other partners in their home countries (Italy and Sweden) in different dances like ballet, lindy hop swing, latin dances, hip hop, ballroom and the Swedish bugg. Both Bianca and Nils got stuck in swing dancing and music, their biggest passion at a very young age. Their paths crossed when Bianca moved to Sweden at the age of sixteen and that’s when they started performing and competing together.

Their teaching career started short after that. Nowadays they travel globally for teaching workshops at festivals, performing and competing. They love to teach what they believe in all around the world. It gives them inspiration, happiness and satisfaction. Bianca and Nils like to bring their love for the dance through energy and enthusiasm on stage. Bianca and Nils are members of the Swedish national team in Boogie Woogie and Lindy Hop and together they won several Swedish competitions including the Swedish championships. Even abroad they hold titles at the International Lindy Hop Championship (ILHC), Camp Hollywood, European Swing Dance championship, several Boogie Woogie international competitions.

They love swing dancing because it brings people together and spreads joy between them, but also because it has a technical and “nerdy” side. The dance challenges them in keeping practicing, creating and expressing. Bianca and Nils’ goal is to help you become the best dancer you can be if you are a student and to be entertained if you are a spectator at one of their shows.

Helena Kanini Kiiru is a young dancer and teacher based in Zagreb, Croatia. She started off as a hip hop dancer at the age of 10, and after 8 years of practicing various street styles, she fell in love with lindy hop.

Very quickly she found passion for solo jazz, especially the raw style of authentic jazz pioneers. Her talent was recognized at JazzRoots 2018 where she won both solo and showcase competitions. She stood out due to her unique style, charisma and authenticity. She was teaching at some of the biggest festivals such as Jazz Roots, The Snowball and Herrang dance camp. Now she continues to travel internationally and enjoys spreading her love for solo jazz with her students.

Sammy Gian is a Kenyan dance instructor and choreographer with a strong background and experience in teaching and in facilitating performances. His formal education started in one of the biggest institutes of performing arts training in South Africa the MID (Moving into Dance Mophatong), but his professional experience as an artistic director and choreographer, performer, and teacher runs over 10 years in various African and European countries. In 2012 he was one of the main choreographers and instructors in an academic program at the University of Maputo, in Mozambique. Since then, he has participated in various festivals around the world and he creates his own productions. His dance identity has different dynamics based on the contemporary dance techniques of Martha Graham and Lester Horton mixed with African and acrobatic elements. Nevertheless, his dance styles continue to a big variety of hip hop, house, modern, urban jazz, and afro-fusion. Since 2016, he has lived in Athens, Greece, where he teaches afro-fusion on a weekly basis at the Professional Dance School, Aktina, as well as in dance studios such as DANCCE and Dancevacuum. He also coordinates seminars with different themes in different dance schools. Since July 2017, he has formed the Twende Dance Project, a modern dance center and meeting point for professional and amateur dancers, and a roof for his dance company. in 2018 and 2019 participates in the Thessaloniki Swing Festival as an African Dance teacher and as a performer and co-organizes the African-American Jazz Dance Project, where he studies African roots in jazz dances. To this day he continues to teach children and adults.

Thanos is a leading figure of tap dance and body music in Greece, while sharing and performing around the globe. Mentored by Heather Cornell and Max Pollak, his work focuses on the music delivered from the body sounds and percussive movement, fusing and expanding to various musical styles from jazz & funk, afro & latin, to his eastern and Balkan roots.

Today Thanos was until recently a cast member of the dance and music group Cambuyon from Spain, premiered with them this February 2015 at the New Victory Theater in New York (Broadway) and is part of the international show “Body Music: see music, hear dance” under the direction of Keith Terry and Jep Melendez.

He is actively involved in the Athens Jazz scene and his collaborations include top greek jazz artists, the Coolspiritrio and his own leading projects Tapmotif Sextet and Acoustic Movement. He teaches regularly in the artistic space “Playground for the arts”, which is a faculty member of the “Orff Institute in Athens”. He is also constantly teaching to communities abroad, sharing tradition, concepts and his approaches in countries like USA, Canada, Spain, France, Switzerland, UK, Finland and more.

Marie has been dancing almost as long as she has been walking, training mostly in modern Jazz. She fell in love with Lindy Hop and other African American Vernacular Jazz dances in 2006.

A true scientist (She obtained her PhD in Neuroimmunology from Karolinska Institute, Stockholm Sweden in 2018), Marie loves history and facts. She has been applying her scientific method and dance education to conduct an embodied practice-based research of Jazz dance through the study of  original video clips and collaborations with many established dancers. She has also researched the cultural and social context of the Jazz dance era through literature study and interviews of artists. Her main focus is on the African American Jazz Women and Chorines (chorus girls) of the time. 

Marie worked and danced with the fantastic teachers of the Cat’s Corner Studio in Montreal, Canada and Chicago Swing Dance Studio in Stockholm, Sweden. She also teaches internationally, in France, Spain, England, Australia, Russia, USA, China… as well as at the world famous Herräng Dance Camp

Currently, Marie is a board member of the newly founded Black Lindy Hoppers Fund (an organization dedicated to support African and African diasporic dancers and artists in Lindy Hop and Jazz). She is also leading a new non-profit organization, Collective Voices for Change.

Felix Berghäll is a choreographer, performer and educator as well as a music researcher and DJ in Lindy Hop and African American Vernacular Jazz. He has studied Sport Coaching and Sport Science at the Swedish School of Sport and Health Science in Stockholm. He has been part of the national team as an athlete in Boogie Woogie and Lindy Hop and is now Co-Head Coach with his partner Mikaela Hellsten for the national team of Lindy Hop in Sweden.

He has also been working the last 5 years co-organising one of the biggest events in the world with focus on Lindy Hop and African American Vernacular Jazz, Herräng Dance Camp. He just resigned from his position at Herräng Dance Camp in November 2021.

Felix has been dancing since he was 8 years old, starting with training and competing in the Swedish dance style Bugg as well as Lindy Hop, Boogie Woogie and Double Bugg. All dances derived from Lindy Hop and African American Vernacular Jazz. He was in love from the beginning and was really, and still is taken by the music.

Currently, he is also part of leading a new NGO as board member and treasurer, Collective Voices for Change, along with other dancers and scholars in order to create a platform to address social issues in the Jazz dance community. The current focus of the initiative is to discuss the issues of cultural appropriation and racial injustice.

Frida has been dancing since her early childhood. Her very first dance interest was Swedish folk dances and Swedish Bugg and later moved on to Boogie Woogie. She also attended a three year dance dance high school focusing on modern and contemporary jazz dance and ballet. Training and competing brought her to Herräng Dance Camp where she was exposed to Lindy hop on the social dance floor for the first time and she fell head over heels in love with the music and the dance, finding a freedom of expression she had never felt before. From that point she was hooked and has never looked back. She joined the performance group The Rhythm Hot Shots, now known as The Hot Shots, a celebration of Harlem rhythms, for 15 years.
There she got the possibility to work hard, learning and performing a broad spectrum of the African American dances she loves such as Lindy Hop, solo  jazz, charleston and tap. She feels incredibly happy and humble that she has had the opportunity to travel the world performing, teaching, competing and sharing her passion for this artform for the last 20 years.

Skye Humphries was first persuaded to dance Lindy Hop by his mother in 1996, but quickly discovered his own love of social dancing, swing music and the Lindy Hop community. This led him to a wider interest in dance and he took classes in ballet, modern, and Jazz. Since 1999 he has taught wherever Lindy Hop is done – from national weekends to international dance camps. He is a founding member of some the most influential modern Lindy Hop troupes- including Minnie’s Moochers, Mad Dog, and the Silver Shadows.

Skye has also won titles at all of the major Lindy Hop competitions – including ULHS, ILHC, ALHC and the World Lindy Hop Championships. This involvement with Lindy Hop sparked his wider interest in America’s history and cultural heritage- leading him to pursue American Studies at The George Washington University where he received his master’s degree in 2007. He currently resides in New York City.